This work is not offered from a pedestal — it is shared from a field I’ve lived through.
My path has been shaped by pattern, disruption, surrender, and design.
I began as a professional chess player, immersed in the language of pattern recognition. Chess taught me to see the unseen — not just the moves on the board, but the space between them. The field of possibility. The shape of choice before it becomes form.
That same field later revealed itself through the body. I stepped into performance art, but it was always creating an alchemy of the performer — not to impress or enact, but to undo. To remap the colonized body. To let the self dissolve in service of something more elemental, more true. Each gesture was a release. Each work, a field of deconstruction.
Architecture followed. In graduate school, I turned my attention to what wasn’t being spoken — the in-between space, the voids we pass through, the atmospheres that hold us. I studied how the body moves through form, how awareness is shaped by space. The blueprint became less about walls and more about presence — less about enclosure, more about emergence.
Parallel to this, I followed the interior path: astrological blueprinting, meditative practice, sweat lodge ceremony, and psychedelic journeys in shamanic traditions. These weren’t escapes — they were thresholds. Each one opened the Fields. Each one revealed what can’t be taught, only entered.
And then — the heartbreaks. The relationships. The repeated choreography of over-giving, that I was not enough. The collapse into pattern. The sexual tensions needing to be resolved. These were the real initiations — not theoretical, but cellular. They led me into the body, into somatic modalities that didn’t just heal, but revealed: the contours of truth, the architecture of feeling, the living map beneath it all.
Rewilding Consciousness is what emerged.
It is not a brand or a method.
It is a field I live in — and now share with others.